Critical Reinventions
University of East Anglia
12 May 2018
(register to attend here)
9:15-9:45
Registration
9:45
Welcome
10:00-11:30
1/a
Alice Butler and Natalie Ferris, ‘A Three-cornered Dance’
Hannah Van Hove, “‘The moving towards words & then from them”: A Work in Process’
Padraig Regan, ‘Baroque’
1/b
Olivia Smith, ‘Old Wives’ Tales’
Olivia Heal, ‘Interruption: A Maternal Reading’
Lucy Mercer, ‘Emblems and the Family Unit, Emblems and Creative Practice’
Break
12:00-1:30
2/a
Zayneb Allak, ‘Berserkería: In Creative-Critical Pursuit of This is How You Lose Her by Junot Díaz’
Sofia Cumming, ‘A Philosophy of Experience: Walter Benjamin’s Literary Criticism’
Rachel Andrews, ‘The Art of the Fragment, or Fragmentary Art’
2/b
Diana Leca, ‘Anne Carson’s Deadpan Style’
Betsy Porritt, ‘Radical dialogues: Whose economy is it anyway?’
Emma Bolland, ‘[Eye the] Bad Translator: Tongue is an Action, a Gesture, a Tone’
1:30-2:45
Lunch
(opportunity to visit the Sainsbury Centre for Visual Arts)
2:45-4:15
3/a
Jo Dixon, ‘Index Cixous: “seeing-with-the-naked-eye”’
John Dunn, ‘The Limits of Lyric: Contemporary Poetry and the Postcritical Turn”
Hannah Cooper-Smithson, ‘Ekphrasis, Escher and the Eternal Poem’
3/b
Emma Cocker, ‘Conversation-as-Material’
Fern Broome Richards, ‘Work/Becoming/Opera’
Anna Reckin, ‘Critical Apparatus: Glossing the Academy’
Break
4:30-6:00
Roundtable and Discussion
w/Kate Briggs, Daniela Cascella and Sarah Jackson
Dinner in the city @ around 7:30
Header image courtesy of and © sorhed
Critical Reinventions 